Out with it. I dance on 2!

Posted on Sunday, January 24th, 2010 at 1:41 am in New York City.

confessions-dreamstime_7633214Part of Urban Confessions Weekdancer-shadow-dreamstime_6525575

Those in the confessional:

Nova is making a guilt-free declaration: She dances “on-two”, mambo style and makes no apologies. No, dears, it isn’t snobbery, I’m not part of the gang taking salsa away from its Nuyorican streets and “legitimizing” it in ballrooms with white academics. Dancing “on two” is a practice of cultural preservation of a distinct style of salsa dancing. It fits me like a glove, fills me with a joy of living, and does the same for others too. And practicing a certain form of salsa dancing sort of makes it an exciting hobby.

Does being an on2 dancer make it harder to spontaneously go out and be able to express your adopted art form? Sure… so you try to learn to manage to celebrate salsa’s other forms. But in your heart you ache… you can’t become one with that second explosive beat that drums along with your heart.

And for all you non-counters out there that think the passion of music is lost in numbers… it can be said that numbers are the fabric of everything- we forget or don’t realize this because numbers speak in different languages. And, as JPLogan so astutely pointed out to me one salsa night, the biggest counters are the ones making salsa itself: the musicians! Does this mean you need to go out and buy an abacus to bring along with you to the dance floor? No… after awhile the numbers are dressed differently, sort of like when you stop “translating” a foreign language slowly in your head after you have a fundamental command of it.

So take those salsa shoes out of the closet, get to Iguana, a social, whatever floats your boat and when the music starts, if you’re a lady, step out with the right on one, a man, break back with the left. Doesn’t that feel good?

For more about this, visit: salsanewyork.com

1 Comment

  1. JPLoganComment by JPLogan on February 2, 2010 at 9:40 pm.

    It does feel good especially when one gets into the groove where all the moves have a strong and defined connection to the pulse of the music (123-567-) and to the rhythm of clave http://en.wikipedia.org/wiki/Clave_%28rhythm%29

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