The Humiliation Factor

Posted on Saturday, August 21st, 2010 at 9:03 pm in New York City.

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There are bound to be countless parallels, metaphors, witty essays and insightful observations about how writing is like ___________ (fill in the blank). Salsa addicts (or fill-in-the-blank addicts) will compare their interest to everything under the sun, too, to rationalize why it is they are doing what they do: it’s  a live-saver, a spiritual fulfillment, a chance to meet people, a reason not to pull the trigger… Art and expression play different roles for each of us who welcome it into our lives (and who perhaps later damn that we ever gave it an invitation).

So here’s my corny bit about why writing and salsa compliment each other, but you can fill in the blanks for your hobbies, dreams or interests: salsa is a very good training camp for writers getting their toes wet in the world of marketing and publication. Salsa humbles you because, you will be humiliated. Probably harsh a term, but at first it’ll feel like that. You will look awkward, you will be judged, you might not get offers… Honestly, if you need a boot-camp for tougher skin (or an accelerator for a nervous breakdown) then take salsa on-2. Then write, and try to publish your book.  Writing itself sounds romantic. You do it solo, you paint worlds with words with cerebral coolness, and in the end, if you stuck it out, you might have a short story or novel. Practicing shines by yourself in front of a mirror is like that too. But if you want to partner your work with the rest of the world…. well, there are layers of odysseys that await you. Want to use my capital to share your story? Want to spend three minutes of my time in front of a crowd holding my hand and twisting me into a pretzel?  Some zip through it, others chug along, never getting past their basic.

The great thing about social dancing salsa that makes it very different from the experience of writing novel-length literary fiction? It is in the NOW. There, in that moment is your expression. It goes by quick, it doesn’t linger like a sentence, page or chapter that constantly needs revision. It moves on, though you might create a memory (or salsa character) out of it. Opportunities seem endless. You scripted your own dance, you shared it with an audience in a proper format, and then you look to do another. A story and its expression in 3 minutes! How great is that? Probably best of all? It aint fiction.

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