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Summer Musings: Sun-dried Clothes

Posted on Friday, August 5th, 2011 at 7:31 pm in Athens, New York City.

Thought to break the silence with some simple summer musings… Enjoyable summer moments that can occur, yes, even in a city. First, is the simple pleasure of drying your clothes in the sun. In an urban setting especially, this is associated with poverty. Because who does this except if you don’t have access to a dryer or are trying to save money? We frown upon the look of clothes lines hanging between buildings, socks and underwear hanging from window guards instead of curtains, hangers dangling from the trellis of a fire escape. Indeed, for the most part (with some slight exception to the clothes lines between buildings, especially on a greeting card) this isn’t a good look for a neighborhood. Never mind that it’s not exactly country air that’s drying your clothes, and with all that grime you might as well not wash them at all. Even more–and this happened to me in Athens when laundromats were so few in between and forget the college giving us a washing machine–we were forced to do these things and pray our clothes (more importantly delicates) didn’t get bombed by pigeons. Still, still, if you can secure a secluded, clean spot for even a sock, there is something wonderful about drying your clothes in the sun. There is a freshness to them, an unmistakable smell. You just think they are cleaner by virtue of the rays of the sun. Yeah, it’ll damage your urban wardrobe I’m sure if you do it constantly when the sun is blazing down. Sure blasting them in the dryer aint no good either. But even if it’s just that one sock, or small handkerchief  you dry out in the air of your window, on your terrace, wherever… it brings a little something special to summer.

Barrio Dreams

Posted on Sunday, February 6th, 2011 at 12:32 pm in New York City.

barriodreamsA recommended book for those with an interest in topics on gentrification in NYC, NuyoRican Heritage and the politics of neighborhoods. Not a light read (very academic), but it provides some really interesting insight in some of the history of “El Barrio”- it’s relationship to Harlem, the Economic Empowerment Zone and El Museo del Barrio (had no idea it was originally a museum for Puerto Rican heritage that slowly erased its Nuyoricanness to market itself a more sanitized and profitable “Pan-Latin Museum” That’s a harsh summary and there’s more to it, but that’s the short you can take out from reading the book). Neighborhood improvement projects aren’t as simple as they sound. Neither is immigration.

Stolen Images

Posted on Friday, December 3rd, 2010 at 3:29 pm in New York City.

sketch-dreamstime_7532226Apologies if this was already covered by Seinfeld on Nueva-Centric living. Among the abundant subway characters that pack into our steel cars twenty-four hours a day lurks a silent being that can be viewed in two different ways, depending on your mood: When you’re not in an exactly “collective love New York state of mind”, these people are like little stalking Gollums slithering through the tunnels on a mission to possess something. It aint a ring. In better moods, they serve as a flattering mirror; you might immediately fix your hair when you lock eyes with them, smile, or even give a bashful blink. I’m not talking about Shutterbugs, the people who steal an image of you with a camera’s lens, then scuttle away like a Peeping Tom. Hard to justify that type of image mugging. I’m talking about the person in the seat diagonally across from you with penetrating eyes that switch every five seconds or so from a soul-gripping lock on your face and the small pad and pencil cuddled atop their knapsack. When a sketch artist, art student, artist–whatever it is you want to call these subway characters–chooses you out of the rest of the sardine gang commuting alongside you, it’s sort of flattering. Unless of course they chose you because you just look so darn strange, but hey you’ll never know the truth. But the act also evokes a level of intimacy that was never asked for and requires nothing from you except submission. Suddenly you’re aware that someone is taking in all the fine details of your face, a beauty mark on your cheek, they way a strand of hair curls along your neck. You begin to feel their pencil tracing the contour of your nose, outlining the shape of your lips. What probably makes the experience a little confusing (do I sit still, do I smile, do I wickedly roll my tongue across my upper lip?) is that you were never introduced, never did you give permission to sit for a portrait that can stay locked in a drawing pad, be part of a stalker series, be displayed in a classroom or serve as some inspiration for something that hangs in a museum (did I mention how flattering it can be?) It is both a wicked and innocent act. Should they catch you in a not-so-loving mood, then your solace is remembering this: Some things aren’t owned- people’s impressions of you are not yours, though you may exert influence.  They are something people take with them, sometimes in number two pencil on the pages of a sketch book.

Super Nova

Posted on Monday, November 8th, 2010 at 6:45 pm in New York City.

This post was submitted and written by Zorro.

SuperNovadreamstime_8421501
In the world of social dancing, we are all on a quest for individuals tuned into our particular dance frequency.  Much like in relationships, you walk onto the dance floor searching for individuals who understand you, who are on the same wave-length. You go through the cycle of partnering, compromising your rhythm to match theirs, spending 4 minutes of your life attempting to understand each other over the metaphorical static, and decoupling with a smile and a polite nod before you continue on your quest.  The 4-minute-cycle begins and ends for hours on end and you enjoy yourself throughout.  However, on rare occasions, and only for those who are extremely lucky, a phenomenon occurs that changes your perspective on the cycle.
The beginning of the cycle begins almost as usual.  You see the salsera/o from across the room, s/he looks like a dancer you’d get on well with, and you are compelled to investigate further. You continue watching and something looks almost familiar in her movement. You await impatiently for the opportunity to present itself, and you ask her to dance.  You take each other’s hand, join each other in frame, and then, it happens.  The music begins and you are perfectly in tune; the darkness of the dance floor fades away to a brief moment of unbelievable brightness.  You’ve just experienced a Super Nova.

It is not that you have become a better dancer per se; it actually has little to do with you. You have simply found someone who perfectly understands you. Your feet are no longer held down by gravity.  You float across the room, dancing along the same frequency: turning, dipping and sliding in complete unison.  You misstep, but her foot follows as though it was meant to be. You try that pattern that you’ve never been able to get quite right, and she flows through it with you effortlessly.  Then, long before you could have ever wanted it to, the music stops.  Somehow, your allotted 4 minutes has already passed. A new song begins and you must politely nod, continuing the cycle.
The Super Nova shows you that somewhere in the vast dance cosmos, there is someone who understands you – that someone can understand you.  The sheer brilliance of the experience illuminates who you are as a dancer and helps you understand what makes your movement yours.  If you are lucky enough to find a Super Nova, dance as often as you can with him/her for it is a rare phenomenon. However, be cautious that your desire to repeat the experience does not make you over-zealous; you don’t want to transform into a succubus.

The Humiliation Factor

Posted on Saturday, August 21st, 2010 at 9:03 pm in New York City.

humiliation-dreamstime_1709664

There are bound to be countless parallels, metaphors, witty essays and insightful observations about how writing is like ___________ (fill in the blank). Salsa addicts (or fill-in-the-blank addicts) will compare their interest to everything under the sun, too, to rationalize why it is they are doing what they do: it’s  a live-saver, a spiritual fulfillment, a chance to meet people, a reason not to pull the trigger… Art and expression play different roles for each of us who welcome it into our lives (and who perhaps later damn that we ever gave it an invitation).

So here’s my corny bit about why writing and salsa compliment each other, but you can fill in the blanks for your hobbies, dreams or interests: salsa is a very good training camp for writers getting their toes wet in the world of marketing and publication. Salsa humbles you because, you will be humiliated. Probably harsh a term, but at first it’ll feel like that. You will look awkward, you will be judged, you might not get offers… Honestly, if you need a boot-camp for tougher skin (or an accelerator for a nervous breakdown) then take salsa on-2. Then write, and try to publish your book.  Writing itself sounds romantic. You do it solo, you paint worlds with words with cerebral coolness, and in the end, if you stuck it out, you might have a short story or novel. Practicing shines by yourself in front of a mirror is like that too. But if you want to partner your work with the rest of the world…. well, there are layers of odysseys that await you. Want to use my capital to share your story? Want to spend three minutes of my time in front of a crowd holding my hand and twisting me into a pretzel?  Some zip through it, others chug along, never getting past their basic.

The great thing about social dancing salsa that makes it very different from the experience of writing novel-length literary fiction? It is in the NOW. There, in that moment is your expression. It goes by quick, it doesn’t linger like a sentence, page or chapter that constantly needs revision. It moves on, though you might create a memory (or salsa character) out of it. Opportunities seem endless. You scripted your own dance, you shared it with an audience in a proper format, and then you look to do another. A story and its expression in 3 minutes! How great is that? Probably best of all? It aint fiction.

Urban Book Club Review: Facing Athens

Posted on Sunday, July 25th, 2010 at 3:47 pm in Athens.

facingathensFacing Athens, by George Sarrinikolaou

This is not a new book, just something I picked up with interest as someone who has lived in Athens for a few years as part of an Urban Odyssey. Publishing the book might have been a rush job trying to capture the market of the 2004 Athens Olympics when Modern Greece suddenly was on people’s minds (anticipated failure, complaints, etc, like most media here seems to be about Greece). Consider this book the anti-romantic portrait of modern Greece. If you loved Greece before you read it, you might hate it after you finish reading 142 easy-reading pages of this book. Written by a native Greek who left when he was 10 years old, who paid yearly visits there growing up and spent 3 months living there in part as a personal journey, in part to write this  book… it basically puts a magnifying glass on all of the flaws of the modern Greek state, its people and, it seems (it can be that dark) their souls. Take all the bad, post it on pages like a collage, provide minimal analysis and you’ve got this book. This is not to say what the author speaks about is not true… indeed the most depressing aspect of this book, as a once-ago resident who lived in and with many of the groups the author describes, is that what he talks about is real. In falling in love, did I ignore the monster? I don’t think so but the book shakes you up, even though it is a tad bit unfair, it is so very superficial in some ways (but not in that it presents a glimpse into the “native” life that tourists might not ever see). It is harsh. Maybe it has to be. I know there is more to Greece than this, but then again… Sigh… if only life were as simple as Ode to Frappes and a sun-filled life…

Summer Book Rec: How to Be Idle

Posted on Saturday, July 10th, 2010 at 7:23 pm in uncategorized.

I am reposting something from last year because it’s summer (in the northern hemisphere) and your minds are more easily prone to indoctrination by this manifesto. Free your soul!

how-to-be-idle

“I have a dream. It is called love, anarchy, freedom. It is called being idle.”

-Tom Hodgkinson

Craig, darling…Don’t do it.

Posted on Tuesday, May 11th, 2010 at 6:53 pm in New York City.

Craig Ferguson Fans and Fans of Nightime Odysseys:

I have not been up all that much but when I have been fortunate to hear the sultry voice of the Late, Late show I’m catching the warning signs of a changing relationship. Toying with the formula? Flirting with an earlier spot? Say it aint so!

  • the stage is better lit. Turn down the lights! You’re ruining the mood. Don’t you get that for a lot of women you’re doing more than simple jokes? You know that! Look at how every woman melts in the chair during an interview.
  • a skeleton side kick? Ok sorta of funny, but hopefully not because you think you need one like the other hosts use.
  • More jingles for recurring skits?
  • a shorter haircut (and not the longer, floppy, just-f*cked you teased hair?)

Just pointing out some of the obvious signs that are tampering with a formula.

Central Park as a Galápagos Island

Posted on Wednesday, January 27th, 2010 at 10:05 pm in New York City.

confessions-dreamstime_7633214 Part of Urban Confessions Week

Like it or not, some New Yorkers treat Central Park like a Galápagos Island. It’s either a free pet store or an orphanage. We’ve racked up a dog, iguana and parakeet from its forests, all with the thrill of catching them with our own hands. How many of you will fess up to taking your Woolworth’s goldfish to a local pond to either to spare it the spin down the toilet bowl, or because you imagined that it would have a better life there?  Keep it up and we’ll spawn some new weird urban species.

The crack in your coffee

Posted on Tuesday, January 26th, 2010 at 12:01 am in New York City.

confessions-dreamstime_7633214 Part of Urban Confessions Week

Alright, this confession comes from a barista/cook/waiter/owner all in one type of worker behind thefancydinercup counter of a Greek diner. It’s SCANDALOUS, I say, for a Greek or Greek diner coffee lover. Now I truly believe the magic behind the Greek diner coffee is the temperature. See my Cecil-ware conversations about this. But on two separate occasions at two different diners, I heard a fellow addict ask the Greek magician if he used “the Greek coffee”, as she sipped her black elixir with a smile. He nodded, and then mumbled, “Venizelos…” Venizelos, is it you in there?! How is that possible, you are the dark demi-tasse kind. Perhaps the diners are using this as a “secret sauce”, a variant of a potion I am convinced a certain donut chain uses to make their coffee taste so darn good. Or is the coffee in some of these places exclusively brewed from Venizelos beans? If any of you try to make a cup of joe with Venizelos from a drip machine and not a briki, let us know how it tastes.  We’re close to unraveling the code of the king of urban coffee.

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